I'm sitting here, getting ready for an electroforming class with Kate Fowle Meleney tomorrow- have some polymer pieces in the oven and glass in the kiln. Kate will be providing us with one of her glass beads for the class (whoop-dee-doo!), and then she's going to give us feed back on how best to approach the pieces we bring in for eval. I'm very psyched for this and so glad that BDI put this together. Kate, along with Josh Simpson's presentation in February have really got my glass juices flowing again.
and then up popped an email from Tonya Davidson about Ruth Baillie's latest Master Muse project, a sweet little hatching chick pin - just in time for spring
Isn't this just the cutest thing ever! and for the greenies out there, lots of recycled materials - the silver, nest and egg are all recycled. Now I know just how to incorporate all those miserable bittersweet seedlings I've been whacking away at. little birds nests everywhere. I'm thinking I can really gild the lily on this one and add a polymer clay veneer is a springtime design to the egg shell... maybe a pale turquoise base with little viola and yellow rose cane slices...
well, the timer's going off downstairs, so off I go. Tomorrow night I'll post pics of my spiffy electroformed glass bead....and probably place an order with RIo Grande for an electroforming kit. I have a feeling this is going to become addictive.
Saturday, April 9, 2011
Saturday, January 1, 2011
why bloggers stop blogging
It's been a long time since I've written here, and this morning, the first of a 3 morning holiday to be spent in bed recovering (hopefully) from the upper respiratory infection that has almost done me in for the past 2 weeks, I spent several hours doing something I haven't had the personal time to do for a while- checking in on the blogs of many of my favorite metal and polymer clay artists. Some, like polymerclaydaily, seem to always be there with something new. But most of the blogs I checked were like mine....laguishing in the doldrums of a life too hectic to take 15 minutes a day to write about their art. some, like me, may have found that real life (and the real job that supports my artistic endeavors - at least for the next 737 days) has intruded too frequently. August through October are usually relatively hectic for me - closing up a June year end. As a town comptroller for a municipality that puts heavy demands on its management team, the audit and post audit season, with outside auditors and state agencies demanding more and more data more frequently, I rarely have time to "play".
the drive to and from work that was supposed to become better when the Big-Dig was finished, hasn't. An average one way drive for me is an hour and a half. why don't I take the commuter rail, you might well ask? well, the ride into Boston is never less than an hour by rail.; then I have to change trains twice once I board the "T" for what has become in recent months another hour ride. and If I miss the 6 o'clock train out of North Station, then I have a 2 hr wait. If I miss the 8 PM train due to an evening meeting, I'm dead in the water until 10 PM and if I have the misfortune to miss that one, I end up sleeping on the cot in my office. so rail commuting is a non-starter. Leaving by car after 8 PM should make for a better commute, but then one runs into night construction up until early December, and badly maintained icy roads from December until Marchm while the night construction usually heats up again in April.
So, today I went looking to see what old and new friends had been up to and this is what I found.
Julie Picarello will have a new book out just in time for Bead and Button this spring. THat's good news, because although I learned how to make a lizardsa tail in her class a LACS this spring, I seem to have lost my notes and my mind- hopefully she'll remind me in her new book.
Luanne Udell seems to be immersed in her hospice work and is recycling old magaine articles on craft- a good thing for those of us who didn't get to read them first time around.; She has a timely recycled article on respecting your collectors.
Elise Winters is pitching Terra Nova: Polymer Art at the Crossroads - a polymer exhibit we had hoped to visit at the IPCG's retreat in July- sadly it won't be opening until after we leave- a side trip from Chicago to Racine would have been fun with a busload of clayers.
Tejae Floyde has some great pics of what she's been doing over the holidays.
Betsy Baker of stonehouse studios talks about the holiday sales and what's new on her etsy page.
Victoria James has some great new texture plates for sale - I particularly like the crumpled foil texture.
Lynn Davis talks about why she works in so many different media – like me she’s easily bored (would that I had time to be bored at the moment).
Les ethiopiques (mon dieu! I’ve had to go to foreign tongue blogs to find someone, anyone, writing since November!) has come up with great tutes in on faux leather and faux ceramics in polymer – but you’d better be able to read French ! Actually, it’s not that hard, because her illustrations are so good, but I love the instruction “ …puis, on scalpe!” – this is in her hidden magic tute. I knew the 5 years of hs, 4 yrs of college and 2 yrs of post grad French were going to come in handy some day- since I left the teaching of French in 1972, and my Quebequois bon ami moved on 15 years ago, I ‘ve had few opportunities to use it. But Helene has pushed me to refocus a bit, just to enjoy her tutorials- she also has a recent very attractive snowflake cane tute.
Fabi, in Madrid, is a bit harder for me since I never really learned to read Spanish – order food from a LA “roach coach” I can do, but read a language I never studied is a bit harder. If I understand what her current lead story is, it’s an amazing nativity scene in clay. You have to see it to understand what I mean by amazing. http://fabicontusmanos.blogspot.com/
Metal clay academy is buzzing about meteor, the new bronze clay
Bev at mango tango is talking not about her jewelry, but a conch disaster in the Keys
Angela Crispin- she of the bilingual blog so you don’t have to read French to enjoy it – talks about the upcoming art clay festival in Prague (who knew?, probably Katie Baum will be packing her bags yet again!)
Vickie Hallmarks shows a great enameled copper & metal clay piece in her bird design – with dyed concrete that I just can’t bring myself to embrace…to industrial by half for me, but quite nice when Vickie fabricates it.
ArtClayStudio contains news of Carol Babineau’s retirement and Gail Moriarty taking over the studio, but still has mostly Carol’s work in the class guide. I know how hard it is up do a major overhaul on web pages, but hopefully Gail will find time to update with her own spin soon- look forward to her wacky sense of humor showing up on the web pages.
Kelly Russell talks about cardiac med problems (not a good thing, take it easy , Girl!)
Nobody new in the Metal Clay Masters registry in months (yeah, if I’d get off my duff, maybe there’s be one more name. I’m 3 pieces short of the required 10 to submit , but inertia – and the audit season- struck with a vengeance). Last week I came across the half finished steel knife blade from my Tim McCreight knife making class at the Bead House in November, which was supposed to polish off one of the required pieces (silly me!).
So, out of the 95 polymer & metal clay sites I have listed as favorites, only 15 have anything new since November! Several no longer exist at their old addresses, and most of the remaining 80 bloggers write about as sporadically as I do. so I don't feel terribly guilty about not sharing with y'all. hopefully some of the other 80 artists have been so busiy in their studios that they haven't had time to write....
I’d promise to do better, but the reality is, given a choice between blogging, creating and sleep, sleep wins hands down, and while writing is easier for me than the creative process, I really do need to start gearing up for retirement (less than 2 years now) and that means 1- cleaning up the homestead in preparation for moving after retirement and 2- getting off my butt creatively , and starting now to build the retirement life I want to enjoy in 737 days (but who's counting?)
Maybe I'll get lucky, inspiration will rattle me to the core and I"ll crank out several wonderful pieces that I'll be happy to share with you all - it's a new year, and time for an attitude adjustment. now if I could only find the robitussin.....
the drive to and from work that was supposed to become better when the Big-Dig was finished, hasn't. An average one way drive for me is an hour and a half. why don't I take the commuter rail, you might well ask? well, the ride into Boston is never less than an hour by rail.; then I have to change trains twice once I board the "T" for what has become in recent months another hour ride. and If I miss the 6 o'clock train out of North Station, then I have a 2 hr wait. If I miss the 8 PM train due to an evening meeting, I'm dead in the water until 10 PM and if I have the misfortune to miss that one, I end up sleeping on the cot in my office. so rail commuting is a non-starter. Leaving by car after 8 PM should make for a better commute, but then one runs into night construction up until early December, and badly maintained icy roads from December until Marchm while the night construction usually heats up again in April.
So, today I went looking to see what old and new friends had been up to and this is what I found.
Julie Picarello will have a new book out just in time for Bead and Button this spring. THat's good news, because although I learned how to make a lizardsa tail in her class a LACS this spring, I seem to have lost my notes and my mind- hopefully she'll remind me in her new book.
Luanne Udell seems to be immersed in her hospice work and is recycling old magaine articles on craft- a good thing for those of us who didn't get to read them first time around.; She has a timely recycled article on respecting your collectors.
Elise Winters is pitching Terra Nova: Polymer Art at the Crossroads - a polymer exhibit we had hoped to visit at the IPCG's retreat in July- sadly it won't be opening until after we leave- a side trip from Chicago to Racine would have been fun with a busload of clayers.
Tejae Floyde has some great pics of what she's been doing over the holidays.
Betsy Baker of stonehouse studios talks about the holiday sales and what's new on her etsy page.
Victoria James has some great new texture plates for sale - I particularly like the crumpled foil texture.
Lynn Davis talks about why she works in so many different media – like me she’s easily bored (would that I had time to be bored at the moment).
Les ethiopiques (mon dieu! I’ve had to go to foreign tongue blogs to find someone, anyone, writing since November!) has come up with great tutes in on faux leather and faux ceramics in polymer – but you’d better be able to read French ! Actually, it’s not that hard, because her illustrations are so good, but I love the instruction “ …puis, on scalpe!” – this is in her hidden magic tute. I knew the 5 years of hs, 4 yrs of college and 2 yrs of post grad French were going to come in handy some day- since I left the teaching of French in 1972, and my Quebequois bon ami moved on 15 years ago, I ‘ve had few opportunities to use it. But Helene has pushed me to refocus a bit, just to enjoy her tutorials- she also has a recent very attractive snowflake cane tute.
Fabi, in Madrid, is a bit harder for me since I never really learned to read Spanish – order food from a LA “roach coach” I can do, but read a language I never studied is a bit harder. If I understand what her current lead story is, it’s an amazing nativity scene in clay. You have to see it to understand what I mean by amazing. http://fabicontusmanos.blogspot.com/
Metal clay academy is buzzing about meteor, the new bronze clay
Bev at mango tango is talking not about her jewelry, but a conch disaster in the Keys
Angela Crispin- she of the bilingual blog so you don’t have to read French to enjoy it – talks about the upcoming art clay festival in Prague (who knew?, probably Katie Baum will be packing her bags yet again!)
Vickie Hallmarks shows a great enameled copper & metal clay piece in her bird design – with dyed concrete that I just can’t bring myself to embrace…to industrial by half for me, but quite nice when Vickie fabricates it.
ArtClayStudio contains news of Carol Babineau’s retirement and Gail Moriarty taking over the studio, but still has mostly Carol’s work in the class guide. I know how hard it is up do a major overhaul on web pages, but hopefully Gail will find time to update with her own spin soon- look forward to her wacky sense of humor showing up on the web pages.
Kelly Russell talks about cardiac med problems (not a good thing, take it easy , Girl!)
Nobody new in the Metal Clay Masters registry in months (yeah, if I’d get off my duff, maybe there’s be one more name. I’m 3 pieces short of the required 10 to submit , but inertia – and the audit season- struck with a vengeance). Last week I came across the half finished steel knife blade from my Tim McCreight knife making class at the Bead House in November, which was supposed to polish off one of the required pieces (silly me!).
So, out of the 95 polymer & metal clay sites I have listed as favorites, only 15 have anything new since November! Several no longer exist at their old addresses, and most of the remaining 80 bloggers write about as sporadically as I do. so I don't feel terribly guilty about not sharing with y'all. hopefully some of the other 80 artists have been so busiy in their studios that they haven't had time to write....
I’d promise to do better, but the reality is, given a choice between blogging, creating and sleep, sleep wins hands down, and while writing is easier for me than the creative process, I really do need to start gearing up for retirement (less than 2 years now) and that means 1- cleaning up the homestead in preparation for moving after retirement and 2- getting off my butt creatively , and starting now to build the retirement life I want to enjoy in 737 days (but who's counting?)
Maybe I'll get lucky, inspiration will rattle me to the core and I"ll crank out several wonderful pieces that I'll be happy to share with you all - it's a new year, and time for an attitude adjustment. now if I could only find the robitussin.....
Sunday, June 6, 2010
Charms for Charity -Metal Clay artists from around the world coming together
For the past few years, the metal clay community from around the world has come together for a fund raising drive called Charms for Charity, creating bracelets and necklaces incorporating metal clay charms .
The original Charms for Charity was a fundraising drive in remembrance of Robin Whittemore, who lost her fight with Breast cancer in 2007, while waiting for a bone marrow transplant. This year's charities are the American Cancer Society and the Marrow Foundation .
I've just completed my charms and am ready to ship them off - 3 charms in kanji represent Hope, Love and Strength, a nautius shell with dichroic glass cab, kitty cat, dragonfly and love letter - along with checks from generous friends in the Brookline Town and School community.
We'll all be holding our breath waiting for news of the winners in the drawing on July 30, at the PMC conference at Purdue
The original Charms for Charity was a fundraising drive in remembrance of Robin Whittemore, who lost her fight with Breast cancer in 2007, while waiting for a bone marrow transplant. This year's charities are the American Cancer Society and the Marrow Foundation .
I've just completed my charms and am ready to ship them off - 3 charms in kanji represent Hope, Love and Strength, a nautius shell with dichroic glass cab, kitty cat, dragonfly and love letter - along with checks from generous friends in the Brookline Town and School community.
We'll all be holding our breath waiting for news of the winners in the drawing on July 30, at the PMC conference at Purdue
Sunday, May 30, 2010
Musings on Tonya Davidson's Master Muse Program
Tonya Davidson has assembled an amazing group of artists in her Master Muse program. A technique or material is featured in each of the challenges and her merry band of muses responds with some innovative designs- and a detailed tutorial on how to recreate each piece. So far there have been 18 challenges and her international group of artists (Lora Hart, Kelly Russell, Angela Baudel-Crispin, Donna Penoyer, Barbara Becker Simon, and Ruth Baillie among others) have responded to the call.
The most recent set of challenges has inspired me to give resin a try. All these have used Susan Lenart Kazmer's Ice Resin. I've always been a bit put off by Susan's clown head and pencil stub designs, but looking at some of the other design elements she's created using resin, I've been intrigued, but not quite sure how to incorporate them into metal clay or polymer . Three of the Muses have answered that question for me.
The most recent set of challenges has inspired me to give resin a try. All these have used Susan Lenart Kazmer's Ice Resin. I've always been a bit put off by Susan's clown head and pencil stub designs, but looking at some of the other design elements she's created using resin, I've been intrigued, but not quite sure how to incorporate them into metal clay or polymer . Three of the Muses have answered that question for me.
Kelly Russell created a metal clay dragonfly trapped in "amber" using a box design in tinted resin.
Lora Hart created a metal clay speciman container brooch with an ice resin center that is an homage to medieval jewelery design
And Ruth Baillie's Hugh the Chameleon brooch in metal clay with tinted resin accents is whimsical.
One of the things I love about the challenges is that several different artists all show their take on the same element or process. Ruth and Lora both did brooches with hand made findings - and each pin design was unique. And each artist gives some background to their design process, so you get a peek into how their creative juices flow and what inspires them.
So far the Muses have done clasps, steampunk stencilling, torch fired enamel, art clay copper and pmc together, and now ice resin.
The Master Muse website has brief summaries of each project and detailed tutorials are coming soon for purchase on Tonya's Wholelottawhimsy website, and I'm patiently waiting to buy my first (hopefully this week the first 3 tutes will be offered for sale). But in the meantime, I've got an idea for a metal clay and resin pendant, and going to mix up a batch of ice resin this afternoon and give it a try.
Labels:
Kelly Russell,
Lora Hart,
master muse,
pmc,
resin,
Ruth Baillie,
wholelottawhimsy
Monday, April 19, 2010
Doing the Happy Dance
About 3 weeks ago, I turned in my "final 3" projects for jurying in Chicago - the last step in becoming a Senior Instructor for Art Clay World. And, along with Gail Moriarty, who also took the level 2 class with me at Carol Babineau's studio, I've been waiting patiently to hear the outcome. I just received a congratulatory email from Carol.
As my dear mother used to say, "Yippee, Skippee!", sort of a back in the day equivalent of WHOO-HOO!
I've doing some preplanning for my retirement (998 days and counting), and one of the things I'm looking forward to doing is spending much of my time writing and teaching. Achieving the Senior Instructor certification from Art Clay World was one of "those" things that I needed to do to accomplish my retirement dream.
Now I'm looking at the Master Registry Program, a rigorous 5 tier evaluation program based on 50 specific projects, testing one's ability and creativity using metal clay. So far, 14 artists have successfully completed one or more or the tiers, and judging from the map of those in the program, I'd be the first to enroll from Massachusetts. It's a bit of a scarey endeavor for me, but one that I believe will help me stretch and grow. Julia Rai, the first to sign up for the program, and the first to reach Level III, details her experience in her blog.
As my dear mother used to say, "Yippee, Skippee!", sort of a back in the day equivalent of WHOO-HOO!
I've doing some preplanning for my retirement (998 days and counting), and one of the things I'm looking forward to doing is spending much of my time writing and teaching. Achieving the Senior Instructor certification from Art Clay World was one of "those" things that I needed to do to accomplish my retirement dream.
Now I'm looking at the Master Registry Program, a rigorous 5 tier evaluation program based on 50 specific projects, testing one's ability and creativity using metal clay. So far, 14 artists have successfully completed one or more or the tiers, and judging from the map of those in the program, I'd be the first to enroll from Massachusetts. It's a bit of a scarey endeavor for me, but one that I believe will help me stretch and grow. Julia Rai, the first to sign up for the program, and the first to reach Level III, details her experience in her blog.
Friday, April 9, 2010
Absolutely Everything
well, it's Friday again, and it looks like I'll be stopping by Absolutely Everything in Topsfield MA on my way home again.
This is a dangerous detour for me...and my wallet, as I always find something I just HAVE to HAVE. Today, I'm on the hunt for Style Stones, which I plan on using as texture tools with metal clay. hopefully , I'll find what I'm looking for there and and will be able to post some new pics over the weekend.
this promises to be a busy Weekend - I'm heading out Saturday to Salem, MA to the Peabody Essex Museum and their new Mayan exhibit - got a great writeup last weekend and the premise is fascinating -"ancient Maya viewed their world as inextricably tied to water."
and Sunday I'll be trying to get a studio back in shape "after the floods" - basement still drenched, but drying slowly, so I'm going to tackle my breezeway room - currently stacked high with seasonal stuff, it's time to clean it out. I'm hoping that between this and next long weekend (thanks to Paul Revere and the Boston marathoners, I have next Monday off), I can turn this nice little room into a 2-3 person teaching studio, at least until the basement studio gets cleared our and cleaned up. Should be interesting- and hopefully I'll find that set of keys that went missing last year in the rubble.
This is a dangerous detour for me...and my wallet, as I always find something I just HAVE to HAVE. Today, I'm on the hunt for Style Stones, which I plan on using as texture tools with metal clay. hopefully , I'll find what I'm looking for there and and will be able to post some new pics over the weekend.
this promises to be a busy Weekend - I'm heading out Saturday to Salem, MA to the Peabody Essex Museum and their new Mayan exhibit - got a great writeup last weekend and the premise is fascinating -"ancient Maya viewed their world as inextricably tied to water."
and Sunday I'll be trying to get a studio back in shape "after the floods" - basement still drenched, but drying slowly, so I'm going to tackle my breezeway room - currently stacked high with seasonal stuff, it's time to clean it out. I'm hoping that between this and next long weekend (thanks to Paul Revere and the Boston marathoners, I have next Monday off), I can turn this nice little room into a 2-3 person teaching studio, at least until the basement studio gets cleared our and cleaned up. Should be interesting- and hopefully I'll find that set of keys that went missing last year in the rubble.
Thursday, March 25, 2010
claying with Julie Picarello
after a busy couple of weeks finishing up my Sr Cert Art Clay projects, I'm rewarding myself with a weekend with Julie Picarello and her mokume gane mixed media workshop through Bead Designers International (check out her amazing work at http://www.yhdesigns.com/).
lots of clay to condition in preparation for this great class and I'm looking forward to getting together with friends and claying for a weekend.
lots of clay to condition in preparation for this great class and I'm looking forward to getting together with friends and claying for a weekend.
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